From the transit-style hall, visitors then decide for themselves which of the four different worlds to go to.
Are they heading for the grimy metropolis of C Street or the calming natural world of Numina? How about the frozen space castle on Eemia or the Ossuary catacombs? All roads lead to dozens of hidden rooms, intertemporal passages and many new clues.
In 2008, Meow Wolf’s principle seemed quite simple when it was created: to create a space that allows artists to go beyond the typical gallery exhibition and make it an immersive experience. It became the band’s calling card when they opened their first attraction in 2016 – in Santa Fe, New Mexico – called “House of the Eternal Return. “Then the eclectic attraction of Meow Wolf’s supermarket”Omega market”Debuted earlier this year in Las Vegas.
More than 300 artists have contributed to the Meow Wolf outpost in Denver. Of these, Meow Wolf says 20% identify as LGBTQ, 51% are women and 38% are people of color.
Corn Meow Wolf has had its share of controversy, too much. A sex discrimination lawsuit brought by former Denver director Zoë Williams and salary theft charges at its location in New Mexico soured the opinion of some artists on the company. But there are still many artists excited to share their work on Meow Wolf’s Denver spacecraft, and the company says it made a concerted attempt to better include residents and history of its neighboring Sun Valley neighborhood in his job.
Andrea Thurber and her five-person artist collective Church of Many are just a few of more than 100 Colorado artists whose work is now on display at Meow Wolf. The group’s piece “Ruptured Time” is a meditation on memory, one of the central themes of Convergence Station.
“It’s supposed to be a mix of a vintage living room and a brain,” Thurber said. “It is therefore a place to experience the simultaneous creation and degradation of memory. It’s based on dementia and how the brain interprets memory after it’s been somehow degraded.
The role of memory in Meow Wolf pays homage to the past and plays with the idea of ”What if?” Writer Erika Wurth teamed up with artist Therin Zimmerman to imagine a colorful and futuristic indigenous planet in Help Save My World. The coin recognizes the Sand Creek Massacre of 1864, where American soldiers killed more than 200 Cheyennes and Arapaho in what is now southeast Colorado. He also looks to the current indigenous community of Denver for inspiration.
“It’s based on the idea of Indigenous Futurism, which is kind of inspired by Afrofuturism,” Wurth said. “And finally the idea is with this piece, what if, during the invasion, the natives of Colorado were perhaps allowed to travel to another planet by a being and live unhindered and unhindered? interruption.”
Inside Meow Wolf, not far from “Help Save My World,” is “Mongovoo,” a meditative cave designed by a Denver-based family of Mongolian artists, including Jennifer Tsogo. The space is intended to cleanse visitors of negative energy.
“It’s the first time for all Mongols, you know, [work] on this large scale. So it’s a great honor to represent our culture, ”Tsogo said.
The list of references and tributes to Denver’s past is long at Meow Wolf.
In other places of Convergence station, events and personalities from the city’s past are remembered: An old RTD bus and the musical group Wheelchair sports camp pay homage to Band of 19, a group that fought for accessibility rights for people with disabilities in America. And nearby, a group of artists created the piece “Aquakota” in homage to the artist from Denver. Colin Ward died in 2018.
Joanna Garner, senior art director of Meow Wolf Denver, said the idea of telling a story – Denver’s past, its possible future – is what sets Meow Wolf apart from other art or visual museums.
“There are all of these opportunities for people to immerse themselves in the world and the characters, to discover a deeper story, and hopefully continue to participate in this and other exhibitions.”